Instrumento in Batam” From: Bonanni, Filippo. Gabinetto armonico pieno d’ istromenti sonori indicati e spiegati. Nella Stamperia di Giorgio Plancho, Rome, (Rome: Giorgio Placho, ) Quarto; 99 leaves, plus frontispiece and [of ] plates; modern half gilt-stamped brown morocco, marbled paper boards. Bonanni, Filippo () Gabinetto Armonico pieno d’Istromenti sonori indicati, e spiegati dal padre Filippo Bonanni della Compagnia di Giesù offerto al .
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This article locates the work at the intersection of a number of traditions of representing music, including music treatises, cabinets of curiosities and virtual paper museums. Other non-musical sources with agbinetto Bonanni was clearly familiar are also taken into account, including travel writings and in particular the collection of Turkish costume gqbinetto published by Charles de Ferriol in This latter is proposed as a possible model for the unusual format of the Gabinettowhereby each instrument is illustrated as part of a full-length portrait of a player.
Filippo Buonanni and the harmonic Cabinet
The image is unusual first because the player is a woman and second because the accompanying text states that she was a poor vagrant, in marked distinction to agbinetto accounts of the instrument that stress its aristocratic and virtuosic nature. Most users should sign in with their email address. If you originally registered with a username please use that to sign in. To purchase short term access, please sign in aarmonico your Oxford Academic account above.
About the Gabinetto Armonico | Encountering the Other
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Filippo Buonanni and the harmonic Cabinet | Italian Ways
Citing articles via Google Scholar. Lutes, vihuelas and guitars—filling in some gaps. Early music online survey: Choral works from the Bachs and their contemporaries.